Best Picture |
Airport, Ross Hunter, producer (Universal) |
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Five Easy Pieces, Bob Rafelson and Richard Wechsler, producers (Columbia) |
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Love Story, Howard G. Minsky, producer (Paramount) |
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M*A*S*H, Ingo Preminger, producer (Twentieth Century-Fox) |
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Patton, Frank McCarthy, producer (Twentieth Century-Fox) |
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Patton
Archive Photos
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Best Actor |
Melvyn Douglas, I Never Sang for My Father |
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James Earl Jones, The Great White Hope |
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Jack Nicholson, Five Easy Pieces |
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Ryan O’Neal, Love Story |
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George C. Scott, Patton |
Best Actress |
Jane Alexander, The Great White Hope |
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Glenda Jackson, Women in Love |
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Ali MacGraw, Love Story |
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Sarah Miles, Ryan’s Daughter |
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Carrie Snodgress, Diary of a Mad Housewife |
Actor in a Supporting Role |
Richard Castellano, Lovers and Other Strangers |
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Chief Dan George, Little Big Man |
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Gene Hackman, I Never Sang for My Father |
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John Marley, Love Story |
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John Mills, Ryan’s Daughter |
Actress in a Supporting Role |
Karen Black, Five Easy Pieces |
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Lee Grant, The Landlord |
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Helen Hayes, Airport |
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Sally Kellerman, M*A*S*H |
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Maureen Stapleton, Airport |
Directing |
Robert Altman, M*A*S*H |
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Federico Fellini, Fellini Satyricon |
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Arthur Hiller, Love Story |
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Ken Russell, Women in Love |
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Franklin J. Schaffner, Patton |
Writing |
Screenplay Based on Material From Another Medium |
Robert Anderson, I Never Sang for My Father |
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Larry Kramer, Women in Love |
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Ring Lardner, Jr., M*A*S*H |
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George Seaton, Airport |
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Renee Taylor, Joseph Bologna and David Zelag Goodman, Lovers and Other Strangers |
Original Screenplay |
Francis Ford Coppola and Edmund H. North, Patton |
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Bob Rafelson and Adrien Joyce, story; Adrien Joyce, screenplay, Five Easy Pieces |
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Eric Rohmer, My Night at Maud’s |
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Erich Segal, Love Story |
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Norman Wexler, Joe |
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Cinematography |
Fred Koenekamp, Patton |
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Ernest Laszlo, Airport |
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Charles F. Wheeler, Osami Furuya, Sinsaku Himeda and Masamichi Satoh, Tora! Tora! Tora! |
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Billy Williams, Women in Love |
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Freddie Young, Ryan’s Daughter |
Art Direction |
Alexander Golitzen and E. Preston Ames, art direction; Jack D. Moore and Mickey S. Michaels, set decoration, Airport |
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Tambi Larsen, art direction; Darrell Silvera, set decoration, The Molly Maguires |
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Terry Marsh and Bob Cartwright, art direction; Pamela Cornell, set decoration, Scrooge |
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Urie McCleary and Gil Parrondo, art direction; Antonio Mateos and Pierre-Louis Thevenet, set decoration, Patton |
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Mickey S. Michaels, set decoration, Airport |
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Jack Martin Smith, Yoshiro Muraki, Richard Day and Taizoh Kawashima, art direction; Walter M. Scott, Norman Rockett and Carl Biddiscombe, set decoration, Tora! Tora! Tora! |
Sound |
Gordon K. McCallum and John Bramall, Ryan’s Daughter |
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Ronald Pierce and David Moriarty, Airport |
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Murray Spivack and Herman Lewis, Tora! Tora! Tora! |
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Dan Wallin and Larry Johnson, Woodstock |
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Douglas Williams and Don Bassman, Patton |
Music |
Song |
“For All We Know,” Lovers and Other Strangers, Fred Karlin, music; Robb Royer and James Griffin, lyrics |
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“Pieces of Dreams,” Pieces of Dreams, Michel Legrand, music; Alan and Marilyn Bergman, lyrics |
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“Thank You Very Much,” Scrooge, Leslie Bricusse, music and lyrics |
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“Till Love Touches Your Life,” Madron, Riz Ortolani, music; Arthur Hamilton, lyrics |
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“Whistling Away the Dark,” Darling Lili, Henry Mancini, music; Johnny Mercer, lyrics |
Original Score |
Frank Cordell, Cromwell |
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Jerry Goldsmith, Patton |
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Francis Lai, Love Story |
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Henry Mancini, Sunflower |
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Alfred Newman, Airport |
Original Song Score |
The Beatles, Let It Be |
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Leslie Bricusse, music and lyrics; Ian Fraser and Herbert W. Spencer, adaptation, Scrooge |
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Fred Karlin and Tylwyth Kymry, The Baby Maker |
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Henry Mancini, music; Johnny Mercer, lyrics, Darling Lili |
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Rod McKuen and John Scott Trotter, music; Rod McKuen, Bill Melendez and Al Shean, lyrics; Vince Guaraldi, adaptation score, A Boy Named Charlie Brown |
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Film Editing |
Hugh S. Fowler, Patton |
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Stuart Gilmore, Airport |
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Danford B. Greene, M*A*S*H |
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James E. Newcom, Pembroke J. Herring and Inoue Chikaya, Tora! Tora! Tora! |
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Thelma Schoonmaker, Woodstock |
Costume Design |
Donald Brooks and Jack Bear, Darling Lili |
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Margaret Furse, Scrooge |
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Edith Head, Airport |
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Nino Novarese, Cromwell |
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Bill Thomas, The Hawaiians |
Special Visual Effects |
A. D. Flowers and L. B. Abbott, Tora! Tora! Tora! |
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Alex Weldon, Patton |
Short Subjects |
Cartoon |
The Further Adventures of Uncle Sam: Part Two (Haboush Company; Goldstone Films) |
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Is It Always Right to Be Right? (Stephen Bosustow Productions; Lester A. Schoenfeld Films) |
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The Shepherd (Cameron Guess and Associates; Brandon Films) |
Live Action |
The Resurrection of Broncho Billy (University of Southern California, Department of Cinema; Universal) |
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Shut Up…I’m Crying (Robert Siegler Productions; Lester A. Schoenfeld Films) |
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Sticky My Fingers…Fleet My Feet (American Film Institute; Lester A. Schoenfeld Films) |
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Documentary |
Short Subject |
The Gifts (Robert McBride, producer; Richter-McBride Productions for the Water Quality Office of the Environmental Protection Agency) |
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Interviews With My Lai Veterans (Joseph Strick, producer; Laser Film Corp.) |
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A Long Way From Nowhere (Bob Aller, producer; Robert Aller Productions) |
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Oisin (Vivien Carey and Patrick Carey, producers; Aengus Films) |
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Time Is Running Out (Horst Dallmayr and Robert Menegoz, producers; Gesellschaft für bildende Filme) |
Feature |
Chariots of the Gods (Dr. Harald Reinl, producer; Terra-Filmkunst GmbH) |
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Jack Johnson (Jim Jacobs, producer; The Big Fights) |
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King: A Filmed Record…Montgomery to Memphis (Ely Landau, producer; Commonwealth United Corporation Production) |
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Say Goodbye (David H. Vowell, producer; David L. Wolper Productions) |
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Woodstock (Wadleigh-Maurice Ltd.; Warner Bros.) |
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Foreign Language Film |
First Love, Switzerland |
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Hoa-Binh, France |
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Investigation of a Citizen Above Suspicion, Italy |
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Paix Sur Les Champs, Belgium |
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Tristana, Spain |
Irving G. Thalberg Memorial Award |
Ingmar Bergman |
Jean Hersholt Humanitarian Award |
Frank Sinatra |
Honorary Awards |
To Lillian Gish for superlative artistry and for distinguished contribution to the progress of motion pictures |
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To Orson Welles for superlative artistry and versatility in the creation of motion pictures |
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